T'ang Haywen, a painter of Chinese origin, found his artistic path in Paris, where he lived and worked.

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His early works, mostly figurative, include portraits and landscapes made in oil or acrylic. However, from the mid-1950s, he turned to ink and developed a unique style, in particular through the use of numerous washes presented in the form of diptychs and triptychs.

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“In the West, painters tended to crystallize their works in a specific space, with a central core. The easiest way to break this crystallization is to get to the heart of the phenomenon: a cell nucleus multiplies by division.” T'ang Haywen

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Calligraphy, taught by her grandfather, plays an essential role in T'ang Haywen's art. He integrates this technique into his work, creating a fusion between Chinese aesthetic and spiritual principles and Western abstract expressionism. This hybridization is reflected in his fluid compositions, where calligraphic gestures meet the spontaneous expressions of abstraction.

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T'ang Haywen's work represents an exploration of the encounter between East and West, offering a dialogue between different artistic and philosophical traditions. His creations evoke a subtle harmony between spontaneity and mastery, erasure and expression, inviting viewers to deep and meditative contemplation.